Teachers, take your experience further. Download this lesson plan exploring the collaborative nature of making art.
Costumes
A rendering of Bulda’s costume by Christopher Oram. All of the Hidden Folk have glowing eyes and necklaces that are individually controlled by the lighting team.
Kristoff (Jelani Alladin) and the Hidden Folk ensemble dance during “Fixer Upper” in the original Broadway production. The scenic, lighting, and video teams utilised the colours and textures in the Hidden Folk costumes to create the setting for this number.
Inspired by the animated feature film, traditional Norwegian dress and historical fashion, this rendering of Anna’s coronation gown by Scenic and Costume Designer Christopher Oram is used to communicate the colours, shape, and style of the design to the team.
The design team pairs samples of fabrics called ‘swatches’ with each of the costume designs.
Scenic and Costume Designer Christopher Oram meets with Associate Designers David Kaley and Amanda Seymour to review swatches and colour palettes.
Associate Costume Designer David Kaley works on Anna’s coronation dress in the costume shop. The custom ribbon embroidery on this gown takes over 80 hours to create and is done entirely by hand.
Anna’s travel boots include embroidery based on traditional Norwegian rosemaling patterns that complements her costume in Act Two.
Anna (Patti Murin) dances with Prince Hans (John Riddle) in the completed gown in the original Broadway production.
Scenic and Costume Designer Christopher Oram explores the evolution of Elsa’s character in this rendering of her costume for the stage-exclusive song “Monster.”
One of Elsa’s wigs, designed by David Brian Brown, is styled on a wig block, showing Elsa’s iconic braid.
Elsa (Caissie Levy) in the finished look onstage in the original Broadway production.
A rendering of Pabbie’s costume by Christopher Oram. Inspired by the huldra in Scandinavian folklore, Oram reimagined the trolls from the animated feature into these mysterious magical creatures. The Hidden Folk’s tails went through extensive research and development to withstand their athletic and energetic movement.
A rendering of Bulda’s costume by Christopher Oram. All of the Hidden Folk have glowing eyes and necklaces that are individually controlled by the lighting team.
Kristoff (Jelani Alladin) and the Hidden Folk ensemble dance during “Fixer Upper” in the original Broadway production. The scenic, lighting, and video teams utilised the colours and textures in the Hidden Folk costumes to create the setting for this number.
Inspired by the animated feature film, traditional Norwegian dress and historical fashion, this rendering of Anna’s coronation gown by Scenic and Costume Designer Christopher Oram is used to communicate the colours, shape, and style of the design to the team.
The design team pairs samples of fabrics called ‘swatches’ with each of the costume designs.
Scenic and Costume Designer Christopher Oram meets with Associate Designers David Kaley and Amanda Seymour to review swatches and colour palettes.
Associate Costume Designer David Kaley works on Anna’s coronation dress in the costume shop. The custom ribbon embroidery on this gown takes over 80 hours to create and is done entirely by hand.
Anna’s travel boots include embroidery based on traditional Norwegian rosemaling patterns that complements her costume in Act Two.
Anna (Patti Murin) dances with Prince Hans (John Riddle) in the completed gown in the original Broadway production.
Scenic and Costume Designer Christopher Oram explores the evolution of Elsa’s character in this rendering of her costume for the stage-exclusive song “Monster.”
One of Elsa’s wigs, designed by David Brian Brown, is styled on a wig block, showing Elsa’s iconic braid.
Elsa (Caissie Levy) in the finished look onstage in the original Broadway production.
A rendering of Pabbie’s costume by Christopher Oram. Inspired by the huldra in Scandinavian folklore, Oram reimagined the trolls from the animated feature into these mysterious magical creatures. The Hidden Folk’s tails went through extensive research and development to withstand their athletic and energetic movement.
A rendering of Bulda’s costume by Christopher Oram. All of the Hidden Folk have glowing eyes and necklaces that are individually controlled by the lighting team.